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Request free quotes from available classic rock pop musicians to hire and find the right Classic Rock musicians to hire for your event. Notably, Roy's is the first to feature the original 3-horn arrangement with trumpet, alto sax, and tenor sax.įor more songs from " The Vibe", check out Roy Hargrove's Blues For Booty Green's, Caryisms, The Thang, and Where Were You?.Show Entertainment Ideas Near Me Live Classic Rock to fit your entertainment perfectly This version was the third recording of Alter Ego, after James Williams' in 1984 and Donald Byrd's in 1987. The previous year, both were guests on saxophonist James Clay's last album as a leader, "Cookin' At The Continental." Fathead played on two later Roy Hargrove albums: "" Family" in 1995 and "Distraction" in 2005. This version of Alter Ego is the second recording of Roy Hargrove with David "Fathead" Newman. I remember giving Roy a copy of the printed arrangement and telling him that trumpeter Donald Byrd had recorded it as quintet in 1987, but no trumpet player had as of yet recorded it in James' sextet format. I'm sure Roy knew I had James' sextet arrangement ( in print. I knew Roy liked Alter Ego and Roy also knew I was James' publisher. Mp3 Bass & Drums only - to feature piano, guitar, vibes, or any melodic instrument that likes to play without harmonic accompanimentĭon Sickler: Composer/pianist James Williams originally recorded Alter Ego ten years earlier than this Hargrove album. 2-feel and play figures for the out melody and coda 2-feel for the flugelhorn solo 2 choruses comp and play figures for the out melody and coda comp for the flugelhorn solo 2 choruses play the intro: as written or improvise The coda is repeated three times the first two times are notated as E, with the third repeat as a separate section, F, with different dynamics. Our Minus You lead sheets and parts have the four-measure piano intro notated as a cue. James' quintet/sextet arrangement from the original recording is available as a printed publication. The piano and bass figures in the head are not written out in the lead sheet pianists and bassists will find them in the Solo Piano Arrangement (see the Piano Corner tab). It is a variation of the A section, with each chord preceded by a passing chord a half-step above. The E section is an eight-measure phrase that in this version appears three times as a coda. The melody is not as obviously based on fourths, but after developing one phrase for five measures, the phrase repeats on the sixth measure down a fourth. The chords also all contain their own fourths (same as 11ths). The two exceptions are at the ends of the two B sections of this AABB form, with half-step motion to the G chords - tritone substitutions for fourths. In fact, almost every chord in the form of this song is a fourth away from the preceding and following chords, either up or down. The simplicity and open-endedness both come from the use of the fourth, a good interval for pivoting between tonalities. For a song without a definite key center, it's quite simple. This is possibly the most popular James Williams composition.